Category Archives: editing
I wouldn’t say that I have the knack yet. On the second full revision of my manuscript, I still feel like Alice with the Queen of Hearts’ playing-card army showering down on her head. There’s too much stuff to keep in my head. I question my own judgement. Sometimes I read a chapter and think, “Where’s the story? What was this about, again?”
But the process has changed. Mysteriously, paragraphs that came seamless from my brain now appear on the page with words, especially adverbs, and whole sentences blue-penciled. (Only metaphorically. No actual hallucinations so far.)
A lot of the stuff struck out by the Revision Angel is background, details about my imaginary community and beloved characters that please me greatly. On the first
revision, I couldn’t conceive of parting with them. Now, I see them as personal delights of my own, and I don’t object to clearing them away, giving my readers space to create the place and the people for themselves. My vision won’t disappear. Even if these details never make it into the series, I’ll still have them.
To my surprise, the pain is minimal. If I could see the expression on my own face as I work, I think I would look like my great-granddaughter when dessert is served. She listens, wriggling slightly, to her mother’s advice to “limit yourself,” sighs, wriggles just once more, and does not take another cookie.
My first six chapters now hang together and keep moving, but it’s time for a shock. Unhappily, the next thing that happens is a meeting. Not the “journeys end in…” kind of meeting, the kind with a Treasurer’s Report. The scene has a furious argument in it, but even so, a feeling of cerebrality creeps over me. No doubt getting your own way over Subparagraph 17b can be a genuine victory. The problem is ensuring that your prose doesn’t read like Subparagraph 17b.
This is where Alice’s playing-card army seems to threaten me. There are 40 scenes to go, at least, and the thought of rearranging them gives me the same short-of-breath feeling I get when playing jackstraws. If I pull this one stick out, will the whole pile collapse? How can I be sure that revision won’t become rewriting the whole book from scratch?
I guess I can’t be sure. There’s some new text in the six revised chapters, so there is such a thing as “a little rewriting.” I’ll just have to pick one jackstraw and pull. If you hear a loud crash, call 911.
I was thinking the other day about the dying institution of marriage. The mystery I’m writing involves an inheritance which, in turn, hangs on the outdated concept of legitimacy.
Mind you, I’m all for dropping any stigma (if any remains) on being born “out of wedlock.” But honestly, older people, if you had been asked in your youth what major changes might occur in your lifetime, would you have predicted indifference to the presence or absence of marriage vows? Of substituting “if it works out” for “till death do us part”?
Anyway, I sat down and tried to come up with other dying institutions that I had thought would live forever. Lo and behold, nearly every one that occurred to me involved reading and writing — one of the core complexes of life for likely readers of this blog.
I had occasion to write something down for one of my grandsons not long ago. He frowned at the note – I thought my handwriting was the problem. I got no farther than, “Oh, sorry, that word’s….,” when he rushed to reassure me. “Oh, it’s okay, Grandma. I can read cursive script.” He can’t write it, though. The schools now teach printing, not writing, because who writes anything longer than a grocery list anymore?
Letters (in the sense of correspondence) no longer exist. Their factual content is now transmitted through email. Their creative, imaginative, playful and literary qualities are just gone. (Worse: their playful qualities are have shrunk and hardened into emoticons created by some wretch chained in an office cubicle.) Email is to letter-writing as tweeting is to thinking.
Now that apps have homogenized all forms of information transfer, “writing down” is no longer a distinct activity with defined functions in society. Do our grandchildren get the point of “The Typewriter,” the famous piece of music that duplicates the rhythm of typewriter keys, the ding of the bell at the end of the carriage and the slam of the carriage return? This tune, without comment, once conveyed “composition” or “news reporting.” (Click the link to hear the Vienna Philharmonic play it, with percussionist Martin Breinschmid on the typewriter.)
Editors are as the dodo. I am still unpublished, but I hear by the grapevine that publishers no longer employ such people. Or if they do, the evidence has vanished from much of what is published. My blogging colleague Eleanor Ingbretson recently read a mystery involving that nasty marine animal, the leech. It was spelled “leach” throughout. WTH. You know what I meant. (That link will take you to the blog of the same name, where you will find fellow mourners of the craft of words.)
(Subcategory of the above: use of the subjunctive. And don’t get me started on “may” and “might.”)
Paper is gone, too, or at least unnecessary. I think text is made of electrons now, but I really haven’t the faintest idea. Vandals burned the monastery libraries of Europe; hackers may yet wipe out War and Peace.
We have lived in the age of the Antonines, and Commodus is upon us. (Don’t bother me with questions when I’m being crotchety. Google it.)