Forgeries and Hoaxes
I took a busman’s holiday today. I’m starting to plot my second book and, needing to get a blog post out, I gave myself permission to noodle around online, seeking useful info for my plot and a blog at the same time. My next set of murders involves forging medieval manuscripts. So it’s perfectly legit for me to find out how to do that, right? Just because I enjoy it doesn’t mean I’m not working.
I had great hopes of a news story on NPR yesterday. Seems the French police arrested the CEO of Aristophil, a Paris dealer in manuscripts, who has collected billions of Euros from investors for “shares” in his portfolio of assets. But alas! for my murders. These manuscripts seem to be perfectly real. The police claim it was the investment management that was shady — a giant Ponzi scheme. In any case, the court is having the collection sold at auction, so if you’d like to bid on the manuscript of the Marquis de Sade’s 120 Days of Sodom, you’ll soon have the chance. [Breaking news! The French government has stepped in to declare the Sade manuscript a national treasure. It’s out of the auction. Sorry.]
It turns out that the University of Delaware’s Library possesses a special collection devoted entirely to forged manuscripts. It was the gift of Frank Tober, a chemist who worked on the Manhattan Project. His interest in the subject began with the chemical methods of detecting fraud, but twisty subjects lead to twisty trains of thought. Before he was done, Tober had branched out into counterfeiting, the forgery of artwork and furniture, hoaxes, and imaginary books and libraries.
At first I thought the pickings were slim for me in the Tober collection: it has only one forged illuminated manuscript. It always pays to keep digging, though. The Tober manuscript is one of hundreds produced about a century ago by the “Spanish Forger,” whose work still lurks in museum collections today, although many have been identified. And the art market always adapts. The Spanish Forger’s work is now eminently collectible. And probably easier to forge than the original manuscripts. (Plot idea here?)
Of course, when you are surfing the web, diversions and byways are legion. Searching for forgeries naturally brought me to hoaxes. I was thrilled to find a “Museum of Hoaxes,” right in San Diego, where I will be visiting in another week or so. Well, almost there. Only a hundred miles away. I could visit! And the web site kindly gave directions:
We’re based in San Diego, California. If you’re in the downtown area, get on i-5 north and keep driving until you see a giant floating jackalope off to your right. You can’t miss it! If you reach LA, you’ve gone too far.
Oh, boy! I’ll just… Wait a minute. Just drive north? Till you see a floating jackalope?
Maybe I’m not really competent to write about forgeries, far less spot them.
The “museum” is, of course, just a web site. I would have tumbled to that eventually, when I scrolled down to the “Staff” section:
Curator Pretending to be in Charge of a Museum
Deputy Curator in Charge of Fire, Electricity, Dead Pigeons, Insane Hamsters, Frog Skeletons, Poltergeists, and Medical Curiosities of All Kinds
I seem to have wandered far from my serious and entirely justified research project. And it’s lunch time. I’ll leave the rest for another day.
Posted on December 19, 2017, in Heidi Wilson, research and tagged ancient manuscripts, Aristophil, forgery, Museum of Hoaxes, Spanish forger, Tober Collection, University of Delaware. Bookmark the permalink. Leave a comment.
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