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I love my ladies

Spoiler alert…I’m indulging in some writer whining.  Again.

Tonight, a remake of a movie that holds a special place in my heart, “Dirty Dancing,” airs on ABC. Among many other negative reviews, TV Guide had this to say: “In an era where actual dirty dancing…has gone so mainstream that Katie Couric knows how to do it, this adaptation does not tango with the present…”

And yet, knowing that it will be a huge disappointment, I will watch it.

I’ve registered for the 2017 New England Crime Bake. Without allowing myself to consider what it would entail, I paid the extra $49 for the Agent and Editor Program, which includes critiques of a pitch and a query as well as the opportunity to pitch to an agent.

Initially I thought that I should pitch my current project, Gabby, at the conference. She’s nowhere near ready but if I focus on her I might be able to whip her into shape by November. What does pitching Gabby do to my plans for a trilogy that takes place in Woodbury, NH?

If I am committed to creating a trilogy, I am pretty certain it doesn’t make sense to pitch the novel that is chronologically the last one (Gabby). I am also pretty certain that it would be incredible if at the Crime Bake I could pitch a cohesive trilogy.

The truth is that in addition to Gabby, my other rough drafts are not ready to be pitched. Anne, Olivia, and Claire. Yes, that is four novels not three but Anne is begging to be joined with her daughter Olivia, and if I acquiesce, I will have a trilogy. But Anne has no murder. Or murderer. My list of characters reveals that I can change a death to a murder and provides a potential murderer. That was easier than I expected. Now for some suspects…

However, that is not the biggest issue with Anne and Olivia. It’s somewhat like Katie Couric and dirty dancing. The premise works for 1993, when it is set, but not so much in 2017. Will it be relevant to readers?

Claire is next. She has some flexibility as to when she takes place but as a senior citizen she is aging the longer she waits. Luckily, she is endowed with a murder, murderer and some suspects. And a man in the attic is timeless.

So now I’ve created a three-headed monster: Anne/Olivia, Claire, Gabby. Do I put Gabby aside and return to Anne/Olivia because she started all of this? Is what I’ve invested hours of time and brain cells into worth resuscitating? Or am I trying to breathe life into a bunch of Word files that I would be better off jettisoning into the Trash folder?

Funny how I can hear a little voice in my head, let’s call him John, giving me some advice—most likely because I have posed this same question to my writing group numerous times. Don’t worry about a trilogy, just focus on getting one novel in good shape so you can pitch it in November. Burn those early writings. They were just practice. And that’s just some of what I assume his advice would be.

But I love my ladies.

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Words You Need to Know

For some reason, when your friends know you are a writer, they become obsessed with sending you words. They may feel you are a connoisseur. They may feel that your vocabulary is inadequate.

Several of my friends have recently been hit with the word-sending bug. While they all said that their lists comprised merely “weird” or “interesting” words, a high percentage of the entries had intriguing connections with the mystery genre. I here offer the best of them to you, conveniently arranged in categories useful to those who murder on paper.

 

Characters

Apple-knocker: an ignorant or unsophisticated person (I was raised to call such persons oyster-shuckers.)

Badmash: Indian, a hooligan

Shot-clog: An unwelcome companion tolerated because he pays the ‘shot’ (i.e., the bill) for his companions (Note: as this word is attested only in the works of Ben Jonson, perhaps it should appear below, under Historical Fiction.)

Snollygoster: An unprincipled, shrewd person guided by personal advantage, not respectable principles

Suedehead: a youth like a skinhead but with slightly longer hair and smarter clothes

Wittol: a man who knows of and tolerates his wife’s infidelity

 

Plot elements

Absquatulate: to leave somewhere abruptly

Cacoethes: an urge to do something inadvisable

Eucatastrophe: a happy ending to a story

Exequies: funeral rites

Flews: the thick pendulous lips of a bloodhound or similar dog

Sprunt: To chase girls around a haystack after dark

 

Murder weapons

Brannock device: the thing they use to measure your feet at the shoe store.

Peen: the side opposite the hammer’s striking side

Probang: a strip of flexible material with a sponge or tuft at the end, used to remove a foreign body from the throat or to apply medication to it

 

Atmosphere

Bruxism: involuntary and habitual grinding of the teeth

Carphology: convulsive or involuntary movements made by delirious patients, such a plucking at the bed clothes

Uhtceare: Anxiety experienced just before dawn when you cannot get back to sleep for worry about the day ahead

 

Historical fiction

Resurrection man: a person who, in past times, illicitly exhumed corpses from burial grounds and sold them to anatomists for dissection

Skimmington: a kind of procession once undertaken to make an example of a nagging wife or an unfaithful husband

 

Technique

Amphibology: a phrase or sentence that is grammatically ambiguous, such as She sees more of her children than her husband.

Interrobang: what it’s called when you combine a question mark with an exclamation point like this: ?!

 

Finally, I offer a small prize (a shout-out in my next blog) to the reader who can suggest the best way of incorporating the words below in a (single) mystery.

Ylem: (in big bang theory) the primordial matter of the universe

Feague: To put a live eel up a horse’s bottom. An eighteenth-century horse dealer’s trick to make an old horse seem lively.

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