MAKING THINGS UP
MAKING THINGS UP
It’s nice to know that there are judges out there who enjoy nonsense as well as I do. Who actually give prizes to writers of light fantasy. Writers who enjoy a little strangeness. Not a lot, mind you, just that wee bit of weird, that soupcon of screwiness, those bites of bizarre that flavor ordinary life with unordinary happenstances. Not talking creepy or spooky here, just a little quirky.
The Bethlehem Writers Group (Bethlehem, Pennsylvania that is, not Bethlehem, New Hampshire, Israel, or any other place), honored me with a prize this year in their paranormal contest. I took third place, but I placed, and that’s all it takes to make me happy.
Here’s the link:
You’ll also be able to read the second place story but the first place winner will be published in their collection in 2018.
I wouldn’t have been able to wait until 2018 to see my story in print had I taken first place, third place gave me instant gratification. If I was an adept at the computer I’d be able to show you my certificate giving me even more gratification, but enough about me.
The September issue of WRITER’S DIGEST arrived last week and I’m enjoying the articles, as always, but not the fact that it’s the SEPTEMBER issue! I want more summer.
Anyway, I learned about the “the uninterrupted fictional dream,” a phrase coined by John Gardner. The following paragraph comes from Tess Callahan’s column, Train Your Eye for Better Writing in the Sept. issue.
“As readers, the most important thing to notice is often what we don’t notice – that is, how the writer keeps us immersed in what John Gardner in The Art of Fiction famously called “the uninterrupted fictional dream.” When we fall into that blissful dream as readers, it appears seamless on the part of the author. It’s not, of course.”
How I would love to have my readers fall into uninterrupted fictional dreams. It’s not only enjoyable for the reader but obviously fulfilling for the writer to know that not only do they have readers but these readers are falling into uninterrupted fictional dreams.
Here’s something else from Tess Callahan. She relates writing a story to a painter working on a canvas.
“Most visual artists don’t start on a big canvas without doing countless thumbnail sketches that help sharpen their skills and drive their vision. Writers can benefit from the same.
“What I’m suggesting here is not outlining, which comes from the rational brain and works for some writers, but rather quick, loose drafts that spring from the subconscious like dreams and proceed image by image.
To write this way means you must be working on the whole canvas at once, relating one image to another across distances. To get stuck in one corner of the canvas risks losing the thread that connects it to the whole living organism of the story.”
In another article, same issue, Taming the Inner Critic, by David Corbett, I found this bit of profundity:
“Simplicity is the true hallmark of elegance, and over complication is the refuge of the confused.”
That was a somewhat bothersome statement even though I happen to think it’s true. Bothersome because I think that the story I’m working on now is verging on the overcomplicated and if it is I suppose it will fall down in the uninterrupted fictional dream department. And I wouldn’t like that to happen at all.