Author Archives: Karen Whalen

Waiting for inspiration

Inspiration…..waiting…..waiting…..when are you going to swoop down and write my blog post for me? That is what usually happens when it’s my turn but this time not so much. Oh, yesterday I wrote enough words to comprise a post. But they weren’t anything I would reread in a few months and wonder if I had actually written them or if my name were mistakenly attached to someone else’s writing.

Yet it’s been hammered into my head that I shouldn’t wait for inspiration. I need to be disciplined, sit down at the same time every day and write. Treat it as though it were a job–unpaid, but a job nevertheless. And some of the members of my writing group do that. They are the ones who produce, who eagerly volunteer to submit their writings for next week’s critiquing by the group.

Where would I be without my writing group? We celebrated our sixth anniversary at last week’s meeting. Six years!! Of the seven attendees, five are charter members and two are “newcomers”  We toasted with port, indulged in a multitude of desserts and snacks, and reminisced. I left feeling reinvigorated, ready to tackle (and finish!!) “Claire.” Again.

The next day the four ladies of the group met for our usual Friday lunch. Heidi provided me with an idea for “Claire” that I absolutely will use. It’s a tweak to the story line that started the wheels in my mind turning and whirring.

Three full days later and I haven’t written a word. But I will.

In addition, the three ladies listened patiently as I outlined, off the cuff, my concept for the upcoming NaNoWriMo (National Novel Writing Month) in November. I know what you’re thinking: 1) it’s only September and she’s already started her plot for NaNoWriMo? and 2) she’s going to attempt NaNoWriMo again?  She doesn’t need a new writing project, she needs to finish something she’s already started. What is she thinking??

The answer is, for me writing isn’t about thinking. It’s about feeling. That’s what makes me a better pantser than a plotter.

Also, I mentioned in a previous post that without agreeing to submit to my writing group and posting to this blog, I wouldn’t write. I neglected to include committing to NaNoWriMo. It’s potentially 50,000 words that I otherwise would not write.

My proposed story for NaNoWriMo has a personal foundation going back to my grandmother in Germany. Unfortunately, she’s not alive so I will have to rely on the memory of my eighty-seven year old mother to provide the background for my NaNoWriMo novel. In addition, it will involve research about World War II, something I can do in advance of November 1. “Can” doesn’t necessarily translate into “will” I have found.

Linda, Heidi, and Eleanor were supportive of my concept. And of my writing ability. What a wonderful feeling to enjoy a cup of clam chowder with people who have become good friends, talk about writing–and leave with my ego pumped up just a bit.

I am not Salman Rushdie

The September 2015 issue of the “Harvard Business Review” (creativity section) included an Interview with Salman Rushdie by Alison Beard. Thank you to Heidi, who admits to being obsessed with Rushdie, for sharing this inspiring article.

This is how I interpreted some of the interview in relation to how I write (I know, how arrogant to compare myself to a writing giant such as Rushdie):

Rushdie states that he evolved from a plotter to a pantser. He appears to write in a linear fashion, composing only 400 to 500 words a day—mostly complete scenes, requiring minimal, if any, revision. It’s perfect the first time.

I have never succeeded as a plotter. I attempted to outline my current novel, “Claire,” using a storyboard and post-its. Instead of sticking to my outline I ended up writing an island for our most recent writing group and then I determined where it would fit in the plot. (I was told that’s the definition of an island!) I was surprised to find that it closely matched an existing post-it. However, it was neither perfect nor the next unwritten scene.

Rushdie does not share his writing until it is finished. That is hard to pull off in a writing group as the expectation is that you will submit your work on a regular basis. And since I tend not to finish anything—you can see where this is headed!

Undisciplined: me. Disciplined: Salman Rushdie. He treats his writing as though it were a job with a regular schedule—no waiting for inspiration to strike.

I am nowhere near that point in my writing progression. I write when I have committed to submit to my writing group and when it is my turn to post on our blog. That’s not much. Heidi (who else) has suggested that we resurrect our group writing project centered on a bridal shop. Why not? At least I’d have a third reason for writing.

Would Rushdie ever delay publication of one of his works because he had to paint a bedroom to match a quilt? Or even just not write for the same excuse—I mean reason? Certainly not. For one thing, he most likely hires out his painting. Does he realize he’s missing out on the pleasure of a sore back, of putting on the same smelly painting tee shirt every time he paints, of putting Vaseline on his elbow where he scrubbed too hard with a pumice stone to remove stuck-on paint?

Yet I am a day late with this blog post so that I could assist my husband with just such a task. Further proof that I am not Salman Rushdie. As though any further proof were needed….

A question for Siri

A few nights ago I attended a Willie Nelson and Family and Old Crow Medicine Show concert at Meadowbrook in Gilford, NH. (In case you were wondering why I was there, my friend’s husband backed out and I was asked to go in his place.)

Thousands of people applauded and cheered after each song. Some were inspired by their ingestion of alcohol and other substances but a genuine appreciation of the music permeated the air (along with a sweet odor). There is no disputing the fact that attending a concert is a social activity for many people, in addition to an opportunity to enjoy the music. The majority of the songs performed by Willie Nelson have been sung or played many times over the span of many years yet the attendees reacted as though he had dedicated the last five or more years of his life to creating and perfecting them and that he was performing them for the first time.

What if we authors got that same reception every time someone read a book we had written? Would we be motivated to spend even more time writing? 

Different abilities and talents are required for singers and writers (unless the singers also write their own lyrics). Would I as an author be comfortable on stage under bright lights in front of thousands of people reading from my novels about Claire, Anne, or Olivia? Hell, no. I have a hard enough time sharing my writings with my writing group. Yet I couldn’t help being jealous of the accolades the performers received at the concert.

Reading is generally a solitary pastime. Any cheering and clapping is done in the privacy of your home. The author, therefore, receives limited direct feedback. So what drives a writer, especially one who has yet to be published, to keep producing? Maybe that is a question appropriate for Siri, along the lines of “what is the meaning of life?”

Speaking of Claire and her cohorts, I offer my sincerest apologies to them for being out of touch these past weeks. You have to believe me that they’ve been in my thoughts. I know what they’ve been doing and thinking and even planning to do. But I haven’t taken the time to record any of this. Everywhere I have been—the hotel in South Yarmouth, Massachusetts, the Cape Cod Inflatable Park, the swimming pool, the Mayflower Beach—I’m thinking of them, feeling their presence, the same as when I’m reading a book with a main character with whom I identify. I know she isn’t real yet it’s as though she is my companion.

Writing a book is like reading a book. The characters get under your skin, into your head.

Only it’s a million times harder.

Middle of the night jottings

Fantasy–not my thing, I cover my ears in my writing group whenever this genre is discussed. Yet I believe in the fantastical notion that what I think about in the middle of the night when I get up to pee–or to put it more politely to “answer nature’s call”–I will remember word for word in the morning. You know how this fantasy ends.

Except for last night. At 4:30 a.m. (I suppose that makes it this morning and late enough that I could have gotten up for the day) I grabbed the little notebook and pencil on my nightstand and wrote out four pages of diverse thoughts. Some were for my book “Claire” and others for this blog.

Or at least that’s what I wrote. It would be incredibly rewarding if only I could decipher what all those scribbles are. Or, of the ones that I can actually read, what they mean.

For example, my first note is: “This was the time, Claire thought.” Underline.

Hmmm….time for what?? Time to get up and go to the bathroom? Time to get married? Time to iron? (You’ll have to read the book, I suppose, to find out. And I’ll have to finish writing it to figure it out. But I will use that line!)

At our last writing group, I was asked to focus on Claire’s emotional backstory. I’ve been thinking about that during my “free” moments on our recent overnight trip to Ogunquit, Maine, with two of our grandchildren and my eighty-seven year old mother. One germ of an idea managed to surface somewhere between the frigid ocean waves and the heated excitement of Chuck E. Cheese’s.

However, the best one came from one of my middle of the night jottings. It connects the bruises on the bride for whom Claire is making a wedding gown with long sleeves to Claire’s wedding gown with long sleeves that is stored in her attic.

Middle of the night notes

Middle of the night notes

These two ideas have reinforced the fact that I have been writing “Claire” on a superficial level, unwilling or unable to delve into what is happening in Claire’s mind to cause her to act as she does. I finally get it that her actions will not be acceptable to the reader without a better understanding of her motivations, especially her internal ones. As usual, I know what those are, I simply have failed to commit them to paper. Basic “Novel Writing 101” and something John, our facilitator, has encouraged me to focus on. I can’t wait to get to work on that!

Confession: I am a pantser

I’ve hit the wall, thrown in the towel, given up on my Camp NaNoWriMo project. Oh, I still plan on completing my novel “Claire”—just not in July. If I believed in writer’s block, I’d have to say this is what I am experiencing. But I know deep down I’m just being plain lazy. And that I set too ambitious a goal.

After all, it is summer and we did just buy a Jeep. A toy that we have gotten maximum pleasure out of in the few weeks that we have owned it, tooling around the scenic roads of Vermont and New Hampshire every available evening, anxious to stumble upon some wildlife, or, absent that, feel the freedom of the wind blow through our (my) hair, removed from the necessities of mowing the lawn and painting the trim on the house. And working on “Claire.”

John, our group’s facilitator, has requested (“suggested”—too passive) that I bring in an outline of the book to the next writing group meeting in two weeks. I readily agreed. Deadlines are my allies. And the outline is half-written anyway. Which may be my source of writer’s block. Assuming I believed in it.

I am a “pantser.” I start writing with a germ of an idea for my work of fiction and then I write. I usually don’t have an outline when I start—that would make me a “plotter.” I prefer for my plot to evolve organically. (I just learned that there are also “plantsers.”)

I’m not alone in this approach. But the plotters will tell you that this only makes more work for us pantsers in the long run, that I’ll need to write a few rough drafts to be where they are after their first rough draft.

Hang in there—I’m getting to my point….

Which is that for Camp NaNoWriMo I decided to write more like a plotter than a pantser, outlining before adding to the 10,000 plus words I had already written for “Claire.” Seemed like more than a good idea. More like a necessity. After all, this is the first book in a trilogy and a thriller. That worked. For a while.

Now that I have a half-finished outline, I’m unable to get back to the story and write. Or even finish the outline. So I’m stuck. Writer’s block. Lesson learned: I am definitely a pantser. What I really want to do is just write the damn book.

I’m relying on my writing group to jump-start my writing. Bring it on!!

Meanwhile, I’m waiting for July 31 so that I officially can announce that I did not win Camp NaNoWriMo 2015.

Camp NaNoWriMo

It’s the Fourth of July weekend, I’ve just returned from a cruise and land tour to Alaska, my endocrinologist has started me on a new medication with adverse side effects, Camp NaNoWriMo has just begun, and—naturally—it’s my turn for a blog post.

Mendenhall Glacier, Juneau, Alaska

Mendenhall Glacier, Juneau, Alaska

No, I don’t expect any sympathy. I don’t work so I should have plenty of time to write. Right?

Rrriiiggghhhttt.  Time isn’t the problem. What do I have to say that is worth reading???

Since this isn’t a cooking or entertaining blog, I won’t bore anyone with my plans for celebrating Independence Day.

Since this isn’t a travel blog, I doubt if anyone wants to hear about my trip to Alaska. (I did have good intentions of keeping a journal. That lasted a day.)

Since this isn’t a medical blog, I’ll save you from a description of how the .05 mg of fludrocortisone is affecting me.

Guess that leaves Camp NaNoWriMo, the July session of the traditional NaNoWriMo held in November, which you may or may not know that I have “won” two times. (Winning entails submitting an original novel of at least 50,000 words written during the month.)

For July, I’ve committed to writing an additional 50,000 words of my already started “Claire” novel. Submitting a work in progress is legal during Camp NaNoWriMo but not in November. My brilliant idea for “Camp” was first to outline how I am going to connect the three novels that I have based in the town of Woodbury: “Anne,” “Claire,” and “It Takes a Village Store,” (all evidently working titles) and then write “Claire,” the first book in my trilogy.It made sense a few months ago….

Now that I am attempting to commit to paper how to connect the three books as well as write the first book all during July, I’m starting to rethink my plan. If the idea is to write 50,000 words in 31 days (note that November only has 30!) and it’s already the 3rd, maybe I’ll forgo working on the links among the three books and instead devote my efforts to “Claire.”

I already have 11,000 words written for this book, as well as a ton of backstory, and I even know the ending—at least the ending as of today—so it makes sense to just whip out the rest of the book. I might even be done before the end of the month….

Happy Fourth of July to all of our followers!!

Perfect wrinkles

I just finished ironing some of the clothes I am about to pack to take on our cruise and land tour of Alaska. One of my daughters was aghast that I would bother to iron before the clothes were stuffed into our suitcases, where they will certainly grow new wrinkles no matter how carefully I roll and fold them.

It goes against my grain to perform anything less than to perfection. Just the thought of packing a pair of unironed pants with wrinkles sends waves of revulsion through me. Well, that may be a slight exaggeration. (But as a writer I am entitled–no, encouraged–to hone my exaggeration skills.)

The need for perfection is a known cause of procrastination for writers. “Perfectionist paralysis” is defined by Urban Dictionary as “the inability to start on…any creative task due to the fear of not getting it perfectly right.” Yup, that’s me. And it’s not limited to starting a project, I’ve found. Revision is also included in that category.

But I’m working on it. I’d love to finish that novel I started in 1986.

Four of us from my writing group have committed to join the July Camp NaNoWriMo, similar to the November NaNoWriMo (a 50,000 word novel in 30 days), except in July we have more flexibility with our projects. We are going to use our weekly “pinky swears” as our projects. For the past week, as I’ve been trying to return to sleep after my early morning jaunt to the bathroom, I’ve been laying in bed pondering my project. I think that’s a good start. After all, I still have two weeks to prepare.

One of my writing group members asked if I would get much writing done on my trip. I plan to keep a journal. But beyond that I know without a doubt that my fiction will flounder. I expect to be too enamored by glaciers and fjords, hopefully even some whales and grizzlies, to focus on Claire, Anne, Olivia, and Emily.

And it’s very likely that I’ll be too busy to notice the wrinkles.

Be ready to duck

We’ve been back in New Hampshire for a little over a week now. Last night was my first writing group meeting since December. And I actually jumped right back into the fray and submitted a revision of my “Jamie” story.

I suppose I could be accused of creating the fray when, following all of the insightful comments from my fellow writers, I took my copy of my story and tossed it into the air. Some might say I flung it across the room but no one can claim that it hit them. So much for saving my ranting and raving for the drive home…..

My husband was appalled when I told him what I had done. He feels that now no one will be honest with their comments in the future, fearful that they will provoke a similar reaction. Not my writing group. Not after five years of sharing the good, the bad, and the ugly. (That’s my writing–everyone else’s is good to outstanding in my mind.)

I am hopeful that they are still happy to have me back after my winter away……I certainly am thankful to be back with my “muses”!

This morning I reviewed the written comments from two of the members of my group. It’s always eye-opening to see my writing through their eyes. Areas that are clear to me they find confusing. Why? It’s clear in my mind what I am trying to convey–but not so much on paper it appears. How would I ever identify those deficiencies without their assistance?  Once I’ve written multiple drafts of a story, it becomes harder and harder to recognize problem areas on my own. Reading it out loud helps–but after correcting any issues that jump out at that point, my writing always sounds pretty darn good. To me.

So thank you, ladies and gentlemen, for your patience and support. And I suppose next time I submit you’ll be ready to duck.

Just write it

On our way back home to New Hampshire after wintering in Arizona, we are spending a few weeks with our daughter Jennifer and family in Williamsburg, VA. The region, and our daughter’s house itself, is the setting for one of the numerous stories I have started. And never finished. It is only natural that I am motivated to resurrect the story while we are here.

After nearly a year it’s overwhelming on the one hand and like Christmas on the other to open all of my Word files and reread what I wrote (what seems like) so long ago. Six versions, seven installments submitted to my writing group, and one final complete story. And an equal amount of backstory and plot possibilities. Questions without answers. Questions that deserve answers. Meaning that there really never was a final complete story.

The comments from my writing group come flooding back. One person thought the description of the protagonist’s lunch was unnecessary while another thought it showed insight into the character. That’s just one of the comments I recall.

I do remember that the six versions were driven by the diverse comments from my writing group. I appreciate them all and know, deep down, that they can only improve the story. However, I am assured that it is my prerogative as the author to use any, all, or none of them.

My husband, who paints as a hobby during his retirement and knows nothing of the torture we writers endure, instructed me to pick one option, any option, and just write it. But I can’t seem to find my way out of the whirlpool of plot possibilities swirling around me to commit to just one and do as he instructs.

I know. This is a common thread in my blogs, my discussions with my writing group and my friends and family, in my head. Finish it. Answer those questions. Pick one scenario and stick with it. Has her daughter had an affair with the intruder? Or is she currently having one? Is she still married or recently divorced? Did he steal the Honda Odyssey van or the BMW? Did she ask him to steal her car or just jokingly mention it in conversation? Did the mother, my protagonist, go to the methadone clinic or not? Is there even a methadone clinic? See my dilemma??

For research, I am heading to the garage to have my husband tie me to the newel post with string from the lawn edger to see if it will work for my story. One of my writing group participants questioned the ability of the string to restrain my protagonist. We shall see if one of my questions is answered….

I need my writing group

I miss my writing group.I miss the motivation, the camaraderie, it provides. But more importantly for my writing I need my writing group.  I feel accountable to the group to contribute. Away from my Thursday Night Writers for four months now (and another month before I arrive home), my writing has dwindled to a trickle.

I did some quickie research on what writing groups “should” do. It appears we are in noncompliance in a few areas. Yet how to explain our over five years of success as a writing group that meets weekly?

1) Have a mission statement or a written goal. We don’t. Jeez, what’s up with that?

2) Get in on the ground floor. In our group, some have come and gone but four of us have been here since day one.

3) Help each other get published. A few in our group have. We mainly just help each other keep writing. Or provide constructive feedback so that the author won’t be embarrassed when he or she submits something to a contest, literary journal, or agent, or self-publishes.

4) Pick a group that focuses solely on your genre. Living in a rural area we can’t do that (and not everyone writes in just one genre) so occasionally we have issues with other members understanding how something is written. For example, some write cozies and yet others don’t read cozies.

What do I think we do exceptionally well that not all groups do?

  • Our works are submitted in advance, allowing members time to read and absorb the material. Sometimes “in advance” may be a mere hour or two!
  • Meetings are well controlled by John, our group leader/facilitator. He is the sun around which we revolve!
  • We are happy to see each other, we have fun, and we write. We have birthday parties, Christmas parties, celebrations for getting published or winning awards, and anniversary parties for the founding of the group. Some of us meet for lunch on Fridays. Yet we work hard.
  • We willingly share our knowledge with our fellow writers. Having a former police detective in our group comes in mighty handy, especially when we’re writing about guns and crimes.

Six days before my husband and I are due to leave Arizona, I discovered a web page listing twenty-eight writers’ groups and “meetups” in the East Valley. They range from “The Erotic Voice” (13 Eroticians) to “East Valley Writers—Spec Fic (paranormal, sci fi, fantasy)” (12 Evil Dwarves) to “Chandler Romance Writing Meetup” (27 authors).  Some of the meetups have one thousand members.

I am quite certain that I deliberately did not do this research upon our arrival in January. I don’t want a new writing group—I need mine from NH! The one I’m comfortable with. The one whose members I can relate to, understand their comments, and get slightly defensive with.

Though I do try to save my ranting and raving for the drive home.